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A genre is a division of a particular form of art according to criteria particular to that form. In all art forms, genres are vague categories with no fixed boundaries. Genres are formed by sets of conventions, and many works cross into multiple genres by way of borrowing and recombining these conventions. The scope of the word "genre" is usually confined to art and culture.
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Genre is originally a French word meaning "kind", "sort" or "type"; in grammatical terminology, it refers to the artificial concept of masculine or feminine grammatical gender (the noun "genre" itself belongs to the masculine gender in French, for example).
In general there are three types of genre:
In artforms such as music, painting, and sculpture, genre tends to be determined by format and style.
Genres are often divided into sub-genres. In literature, for instance, can be organized according to the "poetic genres" and the "prose genres". Poetry might be subdivided into epic, lyric, and dramatic, while prose might be subdivided into fiction and non-fiction. Further subdivisions of dramatic poetry, for instance, might include comedy, tragedy, melodrama, and so forth. This parsing into subgenres can continue: "comedy" has its own genres, for example, including farce, comedy of manners, burlesque, and satire.
In every field of art there are conventions that may simply be expectations (paintings are rectangular) and stock devices (a comedy ends with a marriage, but a western can end with the hero riding off into the sunset). These are generic conventions which are very closely tied to a particular artistic genre, and help to define what that genre is. Some of these conventions may develop into clichés.
Although most genres are often only vaguely definable, genre considerations are one of the most important factors in determining what a person will see or read. Many genres have built-in audiences and corresponding publications that support them, such as magazines and websites. Books and movies that are difficult to pigeonhole into a genre are often less successful commercially.
In the field of painting, there exists a "hierarchy of genres" associated with the Académie française which once held a central role in academic art. These genres in hierarchical order are:
These categories played an important role between the 17th century and the modern era, when painters and critics began to rebel against the many rules of the Académie française, including the Académie's preference for history painting.
The concept of "genre" has played a notable role among philosophers of language, figuring very prominently in the works of philosopher and literary scholar Mikhail Bakhtin. Bakhtin's basic observations were of "speech genres" (the idea of heteroglossia), modes of speaking or writing that people learn to mimic, weave together, and manipulate (such as "formal letter" and "grocery list", or "university lecture" and "personal anecdote"). The work of Georg Lukács also touches on the nature of literary genres, appearing separately but around the same time (1920s–1930s) as Bakhtin.