GWAR
Webpages concerning "GWAR"
|
The contents has been generating using technology developed by scientec.
Wikipedia-Article "GWAR"
GWAR is a satirical thrash metal/punk band formed in 1985-1986 by a group of artists and musicians at Virginia Commonwealth University in Richmond, Virginia. The band is perhaps best known for their elaborate sci-fi/horror film inspired costumes, raunchy lyrics, and graphic stage performances, which can consist of scatology, sadomasochism, rape, necrophilia, paedo-necrophilia, beastio-necrophilia, fire dancing, fake pagan rituals, mock executions/mutilations, and other controversial violent and political themes. GWAR, for a long time, were the leading edge of shock rock. Going as far as appearing on Jerry Springer in full costume whilst being "In Character" during the mid 1990's.
The origin and meaning of the band's name has been left intentionally vague by its members, although the most widely accepted explanation is that GWAR is an acronym for "God What an Awful Racket!" Although, this is false and denied by the band members. One rumor states that the name may have come from Alan Moore and Dave Gibbon's graphic novel The Watchmen, in which a poster reads, "Pink Triangle LIVE at the Gay Women Against Rape Benefit Concert." Other unsubstantiated rumors state that GWAR! is the sound monsters make in old horror movies, or that a fan at a club yelled "You should call your band..." and vomited before he could finish, making a sound close to the word GWAR.
The band was the result of the collaboration between Hunter Jackson and Dave Brockie, who was then, the singer for a punk band called Death Piggy. Jackson was working on a movie at the time the two met. The movie, entitled Scumdogs of the Universe, featured a plot involving terrifying intergalactic barbarians. Jackson and Brockie combined their ideas, re-named the band Gwar, and have been performing as ghoulish intergalatic warriors ever since. Their costumes are generally made of foam latex, styrofoam, and papier-mache. It should be noted that the costumes they are wearing actually cover very little with the rest of their bodies being accentuated with makeup. They further their production in concert by dousing, spraying, and literally at times, nearly drowning their audiences with imitation blood, semen, gore, and other bodily fluids. All the fluids are made of water and dye that washes out easily. It is rumored that corn syrup or a similiar product has been used as a thickener. Another trademark of GWAR's live show is their mutilations of celebrities and figures in current events. Victims of GWAR's antics have included O.J. Simpson, George W. Bush, Paris Hilton, and many others. The band also makes frequent references to political and historical figures, fantasy literature, and mythology. For instance, the song Warghoul makes reference to Minas Morgul, a setting in the J.R.R. Tolkien Lord of the Rings books; and the title of their sixth album Ragnarok comes from Norse mythology.
GWAR, though by no means small, have not enjoyed as much mainstream recognition as many bands of their seniority. Around the time of their second album (Scumdogs of the Universe), the enjoyed a fair deal of success, due in part to Beavis and Butt-head. After that, however, GWAR's popularity waned and they were even featured on the VH1 program "Where Are They Now." Though not at the peak of their popularity, GWAR was recently invited to play on the Sounds of the Underground tour, which was very well received.
Gwar were, at one time, banned from performing in their home city of Richmond, Virgina due to their raucous stage performances. During that time they would appear in their home town under the pseudonym Rawg and play sans costumes. The ban was later lifted and the band can now play in Richmond again in full gory attire. Band members and associates often have cookouts at their house, dubbed "Gwar-BQ's." The video for "Saddam a Go-Go" from This Toilet Earth appeared in the hit movie Empire Records. Gwar was/is primarily a band of former art students, and this is reflected in the obscure references made in some of their songs. Gwar fans are known as Bohabs.
GWAR are to start working on their new album in January 2006, as stated by vocalist Oderus Urungus (Dave Brockie).
Contents |
Line-up
Current
- Oderus Urungus (vokills - Dave Brockie)
- Flattus Maximus (Screams of the strings - Corey Smoot, Zach Blair, Pete Lee, Tim Hariss, Dewey Rowell )
- Beefcake the Mighty (The Underworld beats - Todd Evans, Casey Orr, Mike Bishop)
- Jizmak Da Gusha (Booms of the gods - Brad Roberts)
- Balsac the Jaws of Death (guitar - Mike Derks, various)
- Slymenstra Hymen (GWAR Woman, vocalist - Danielle Stampe. Danielle still performs with GWAR when her busy schedule permits, despite having "retired" to do her girlie freak show )
Retired members
- Sleazy P. Martini ("manager" - Don Drakulich)
- Sexicutioner (vocals - Chuck Varga) Varga is still involved with the band, but the character Sexicutioner no longer appears in GWAR's stage shows.
- Musel (keyboards - Dave Musel)
- Techno-Destructo (GWAR Enemy - Hunter Jackson) Like Vargas, Jackson is still involved with GWAR
- Nippleus Erectus (An old drummer character. He did all the drumming on Hell-O. He was credited for the drums on Scumdogs, although Jizmak played them-Rob Mosby)
- Jonny Slutman (Original lead singer of GWAR, he was only in the band for a few shows before Brockie took over-Gabe Rogasner)
- Mr. Magico (Original guitarist of GWAR, he was in the band prior to Hell-O and appeared in quite a few shows in the late 80s-Russ Bahorsky)
- Lee Baeto (GWAR drummer before Jizmak, after Hans Orifice. Played after Hell-O to shortly before Scumdogs. Only played 5 shows-Pete (surname unknown)
- Stephen Sphincter (Original GWAR bassist, played quite a few shows in 1987 before leaving-Ron Curry)
- Cornelius Carnage (One of the original GWAR guitarists, his character wore a Beefcake-type helmet-Chris Oranger)
- Hans Orifice (Played in an early GWAR line-up (1986-87), doing 1 or 2 gigs. In September 1996, sadly, he committed suicide.-Sean Sumner)
This does not account for all of the characters GWAR has in their elaborate stage shows, however. GWAR has a plethora of members, most of which are referred simply to as "slaves." The GWAR slaves are involved in many other aspects of the band, including costume design, music mixing and editing, running the record label owned by the members of GWAR (Slave Pit Records), and the creation of the now defunct GWAR comic book, Slave Pit Funnies.
Discography
Hell-O
In 1988, their first album, Hell-O (Shimmy Records) was released. Gwar's angle is that of a morbid punk band (a la The Mentors), with songs deriding the USA (such as "Americanized" and "Ollie North") as well as those of general grotesqueness ("Slutman City", "Bone Meal"). Hunter Jackson makes his first appearance in "Techno's Song" and "I'm in Love (With a Dead Dog)" showcased a tender episode in canine-alien relations. The famous "Gwar Theme" is a memorable car-eating anthem. Jacques-Yves Cousteau makes a bizarre cameo as well, in a song that could possibly be influenced by Dadaism. (In another reference, the liner art does a stab at Picasso's Guernica, which is renamed Gwarnica.)
Scumdogs of the Universe
Gwar's first album on Metal Blade Records was released in 1990. As the title implies, it is a concept album about the Scumdogs' reign of terror on planet Earth. The production is very refined compared to the independent first attempt. Gwar began to experiment with samples to some degree (e.g. in the song, "Maggots"). The songs are more socially relevant in this album as well. Examples include "Slaughterama" (which involves Gwar killing hippies and skinheads) and the opening track, "Salaminizer", which was inspired by/based off a song by the breakthrough rap group NWA. As well, "Black and Huge" is basically a love song by a sterotypically well-endowed African-American expressing his lustful intentions towards a white girl in the line "You know I'm just a limp Mega-Prick, I'm looking for a stupid white chick". Other references include history ("Vlad the Impaler") and mythology ("Horrors of Yig"). The rest of the album is centered around twisted jokes about insane medical practices/sexual perversion. This album is viewed by many as their ultimate masterpiece.
America Must Be Destroyed
Their second major-label recording in 1992 was inspired by Dave Brockie's fight with police officers while touring. The controversy revolved around Brockie's rubbery penis adornment. Brockie was revolted by this attack on his rights and so he created a concept album revolving around an elite "Morality Squad" that attacked the members of Gwar and stole Oderus's penile attachment (aka Cuttlefish of Ctulu, a phallic hellbeast that normally dangles from his crotch). The opening song, "Ham on the Bone" (which has a nod to grindcore) explains this robbery. The story then shifts to Gwar headquarters in Antarctica, where Oderus's slaves are ordered to shoot up a dinosaur egg with crack. The result is the mighty Gor Gor, a Tyrannosaurus Rex that wreaks havoc on America. Meanwhile, the Morality Squad has enlisted the help of Father Bohab (a Catholic priest) to crucify Gwar in the media. Gwar marches out to battle, and you can take the story from there. Other songs of interest include "Have You Seen Me?", "Poor Ole Tom", and "The Road Behind". Musically, it is a mix of rock and roll and blistering sludge metal, and it is even harsher-sounding than the previous album. A video, Phallus in Wonderland, was released as a supplement to the album's storyline. This album was followed by The Road Behind, an EP that contained that single and a riveting live version of "Have You Seen Me?" (which contained a notorious Ween sample at the end). The single "S.F.W." (a staple of their live shows) was supposedly released on this album as a bonus track, but this has been discounted by the band.
This Toilet Earth
In 1994, Gwar released what was to be one of their oddest and most bittersweet albums. It was the first album to be censored, due to their gain in popularity as a result of MTV exposure. The music and artwork is almost cartoonish when compared to the previous albums, and the instrumentation has expanded to include horns (in the opener, "Saddam a Go-Go") that reinforce the goofiness. Storywise, the enemy is now Skulhedface, an alien queen who was deformed in a Synnite Warrior raid on her planet centuries before. In retaliation, she travels to Antarctica, encounters Gwar while they are hibernating, and steals their Jizmoglobin, or life force. Her midget slave Flopsy and she then create a creature made up of the melded parts of evil historical figures (such as Hitler) called the Flesh Column. Skulhedface disguises herself as an evil executive for the Glomco corporation, and uses propaganda to turn Gwar into sickeningly cuddly cartoon characters. Meanwhile, Gwar discovers that the World Maggot is their only opportunity to escape Earth, but Skullhedface stands in their way. Oderus & Co. must regain their Jizz and catch the maggot in time. As for the music, it is varied and ranges from poppy ("Jack the World") to gruesome ("Sonderkommando") to goofy ("Pepperoni") and to the unmentionable ("B.D.F.", which stands for "Baby Dick Fuck"). Because of B.D.F.'s comically vulgar and extremely graphic references to obscene acts that run the gamut from sodomy, necrophilia, pre-natal rape, pedophilia to mutilation, the song was removed from subsequent pressings of the CD.
It is a blend of chaotic styles that is reminiscent of Faith No More and Frank Zappa. Skulhedface was the movie released to document this album. "Jack the World" was also featured in the Beavis and Butt-head video game for the Sega Genesis and Super Nintendo.
RagNaRok
While This Toilet Earth was highly eclectic in instrumentation, RagNaRok (1995) contains the most varied vocal stylings, as the majority of the band lends their lungs to the tracklist. RagNaRok is essentially a heavy metal album and it is spiced with a story about the end of the world. The story involves Oderus and his alien sister Slymenstra being forcibly mated with the aid of rogue space aliens. Meanwhile, a comet hurdling towards planet earth is inciting the populace to revolt, and anarchy has set in all over the globe. An AIDS-like plague has crippled the masses, who await the meteor's arrival and their subsequent death. However, it turns out that the comet is actually Cardinal Syn, a robotic agent of harsh Catholic dogma. Syn is representing the Warrior Pope, who is demanding that all bow down to him and obey his insane whims. But Syn is drawn to Slymenstra's alien baby, for a reason that is left for the listener to uncover... As it could be supposed, the concept is about the ridicule of Christianity (especially in the song, "Martyr Dumb"). The highlights of the album include "Dirty, Filthy" (a rousing comedy anthem), the title track, and "Meat Sandwich". In other news, Drakulich does a mock-rapping bit as Sleazy P. in "Think You Oughta Know This", and there is an energetic duet between Oderus and Slymenstra in "Fire in the Loins". In the closer, for once, Gwar actually shows a serious side in detailing their problems with protestors (the ballad, "None But the Brave"). Finally, "Surf of Syn" shows the technical side of GWAR, as they touch upon a style of music never found in previous GWAR albums. There are hints of flamenco inspired tidbits that show up in the song.
Carnival of Chaos
The band on Carnival of Chaos (1997) seems to be influenced even more by Faith No More and Mr. Bungle. It can be best described as Gwar's bid for musical expansion. There are likely more styles experimented with here than on any other album. It is perhaps most notable as their longest album, and also as the album that contains Stampe's solo number: "Don't Need a Man". Hunter Jackson also returns in "The Private Pain of Techno Destructo", and there is an odd ballad about the rotting corpse of Sammy Davis Jr. which is worthy of mention. "In Her Fear" is Oderus's swan song, and Beefcake the Mighty gives a memorable ballad in "Hate Love Songs". A few more jokes ("Scallop Boat", "Gonna Kill U", "I Suck on My Thumb"), round out the album.
We Kill Everything
Gwar returned in 1999 with We Kill Everything, which annihilated the hopes of fans with its limp attempts as compared to their prior albums. This a whimsical album full of punkish potboilers, taking a note from Primus in its surrealistic goofiness. As detailed within the liner notes, Gwar meets a new alien warrior, Scroda Moon (Hunter Jackson) who has to find the pieces of a broken tablet which, when put together, will allow them access to a Portal Potty (or a giant, magical toilet) that can warp them off Earth for good. This isn't the same creativity that had been seen in GWAR's previous mythos, more like some deflated Indiana-Jones-meets-the-muppets concoction. The band once again offers the funny ("Fishfuck") the gross ("Babyraper"), and the weird ("Penile Drip", in which Oderus does his best Brak impression). "Short History of the End of the World" and "Jagermonsta" are horrendous examples of thrash-punk, while Mike Derks lends his vocals to the almost sensitive ballad, "Mary Anne". This album is mostly a collection of gruesomely faulty jokes ("Fucking an Animal" and "Nitro Burning Funny Bong"), and contains significantly less brutality and heart than their previous works.
Violence Has Arrived
Violence Has Arrived (2001), re-attains the brutal focus of their earlier albums. It is similar to Scumdogs, in that Brockie is now the dominant voice of the band again, and the theme is centered on generalized carnage. Gwar takes on more "medieval" themes this time around, such as torture ("The Wheel") and conjures up some truly ugly imagery in songs such as "Licksore", "Beauteous Rot", and "The Apes of Wrath".
War Party
After Violence Has Arrived, Gwar switched labels from Metal Blade to DRT Entertainment. War Party was released October 26, 2004 and continues the decidedly more metal focus reintroduced in Violence Has Arrived. War Party is the most political GWAR album since America Must Be Destroyed tackling such subject matter as the 2004 American election and the war in Iraq in such songs as "Bring Back the Bomb", "The Krosstika", "War Party", "The Reaganator" and "Can't Kill Terror". Dave Brockie has said "...basically GWAR pledges support to the powers who support the war, and we make such a right-wing statement that the right wing would be ashamed to have us." GWAR still has more gratuitous violent imagery in "Womb With a View" and "Bonesnapper" and retains some trademark silliness in the Beefcake hollered french punk song "The Bonus Plan". War Party was supported in fall 2004 by the Mock the Vote tour.
Live from Mt. Fuji
Released in June of 2005, Live from Mt. Fuji is GWAR's first nationally released live concert CD. This is a perfect display of the "chaos" at a GWAR concert.