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Tarzan, a character created by Edgar Rice Burroughs, first appeared in the 1914 novel Tarzan of the Apes, and then in twenty-three sequels. He is the son of a British Lord and Lady, marooned on the coast of Africa by mutineers. His parents died when he was an infant, and he was raised by Great Apes of a species unknown to science. Kala is his ape mother. Tarzan (White-skin) is his ape name; his English name is John Clayton, Lord Greystoke. As a young adult, he meets Jane, and when she returns to America he leaves the jungle in search of his true love. Tarzan and Jane marry, and he lives with her for a time in England. They have one son, Jack, who takes the ape name Korak. Tarzan is contemptuous of the hypocracy of civilization, and he and Jane return to Africa where, both being immortal, they still live.
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Tarzan has been called one of the best-known literary characters in the world. He has appeared in films, comic strips, comic books, radio, and television programs. The Internet Movie Database lists 88 movies with Tarzan in the title between 1918 and 1999. Many of the Hollywood Tarzan films from the 1930s on featured Tarzan's chimpanzee companion Cheeta.
Science fiction author Philip José Farmer wrote Tarzan Alive!, a biography of Tarzan utilizing the frame device that he was a real person. See also Wold Newton family.
Tarzan appears briefly as a character in the book Lust, by Geoff Ryman.
Even though the copyright on Tarzan of the Apes has expired in the United States of America, all of Burroughs's works will remain under copyright in the European Union until 2021, and the name TARZAN is a trademark.
Tarzana, California, where Burroughs made his home, was renamed in honor of Tarzan in 1927.
Tarzan of the Apes was the first novel to be adapted in newspaper strip form, in early 1929, with illustrations by Hal Foster. A full page Sunday strip began March 15, 1931 by Rex Maxon. Over the years, many artists have drawn the Tarzan comic strip, notably Burne Hogarth and Russ Manning. The daily strip began to reprint old dailies after the last Russ Manning daily #10,308 29 July 1972. The Sunday strip also turned to reprints circa 2000. Both strips continue as reprints today, in a few newspapers and in Comics Revue magazine.
Tarzan has appeared in many comic books, first in reprints of the comic strip, and later in a long running Tarzan comic book from Dell. Other publishers of Tarzan comic books include Marvel, DC, and Dark Horse.
There have been several Tarzan View-Master reels and packets, and numerous Tarzan coloring books, childrens books, activity books, follow the dots, and so on.
A number of actors have played Tarzan over the years, with the most famous and longest-lasting being Johnny Weissmuller, a Danube Swabian born in Austro-Hungary (in a town now in Romania), who came with his parents to the United States. Due to complex licensing issues relating to Tarzan, several Tarzan movie series actually overlapped. For example, Buster Crabbe, Herman Brix and Glenn Morris all made Tarzan films concurrently with the 1932-1948 Weismuller series. Mike Henry, meanwhile, played Tarzan in several theatrical releases that came out concurrently with Ron Ely's TV series (Henry had been approached to star in the TV series too, but had declined).
While Tarzan of the Apes met with some critical success, subsequent books in the series have received a cooler reception. They have been criticized for being derivative and formulaic. The characters are often said to be two-dimensional, the dialogue wooden, and the storytelling devices (such as excessive reliance on coincidence) strain credibility. While Burroughs is a vivid storyteller, he is not considered a polished novelist.
Despite critical panning, the Tarzan stories have been amazingly popular. Fans love his melodramatic situations and the elaborate details he works into his fictional world. His construction of a partial language for his great apes is an example of the sort of detail that fans love.
Since the beginning of the 1970s, Tarzan books and movies have often been critized as being blatantly racist. This comes from an overwhelmingly negative and stereotypical portrayal of Blacks and Africans. While there are positive characters, such as the Waziri tribe, they are always shown as subservient to the white characters. The fact that the character of Tarzan (whose name translates as "white-skin") is better adapted to life in Africa than the Black African characters is also seen as a sign of racism.
Burroughs' opinions, made known mainly through the narrative voice in the stories, do reflect racist and sexist themes widely held in his time. The author is not especially mean-spirited about his attitudes. His heroes do not engage in violence against non-submissive women or in racially motivated violence. Still, the attitudes of a superior-inferior relationship are plain and occasionally even made explicit.
When Burroughs moved to Hollywood, his attitudes became much more liberal, and the later Tarzan books include heavy-handed satires of sexism and racism.
Nwachukwu Frank Ukadike, Black African Cinema, University of California Press 1994, p. 40