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| The Lion King | |
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| Directed by | Roger Allers Rob Minkoff |
| Produced by | Don Hahn |
| Written by | Irene Mecchi Jonathan Roberts Linda Woolverton |
| Starring | Matthew Broderick James Earl Jones Jeremy Irons Jonathan Taylor Thomas Nathan Lane Ernie Sabella Robert Guillaume Moira Kelly Rowan Atkinson Whoopi Goldberg Cheech Marin Jim Cummings Madge Sinclair Niketa Calame Zoe Leader |
| Music by | {{{music}}} |
| Cinematography by | {{{cinematography}}} |
| Editing by | {{{editing}}} |
| Distributed by | Walt Disney Pictures |
| Released | June 15, 1994 (selected cities) June 24, 1994 (general) December 25, 2002 (IMAX) |
| Running time | 89 min |
| Language | English |
| Budget | $79,300,000 (estimated) |
| Preceded by | {{{preceded_by}}} |
| Followed by | {{{followed_by}}} |
| IMDb profile | |
The Lion King is the 32nd film in the Disney animated feature canon, and the highest-grossing traditionally animated feature film ever released in the United States. It was produced by Walt Disney Feature Animation, originally released to selected cities by Walt Disney Pictures and Buena Vista Distribution on June 15, 1994, and put into general release on June 24, 1994. A digitally retouched and enhanced Special Edition version of the film was released in IMAX format on December 25, 2002.
The film is about a young lion cub named Simba who learns about his place on the throne of Pride Rock and his role in the circle of life. It is frequently alleged that The Lion King was based on Osamu Tezuka's 1960s animated series Kimba the White Lion, although the filmmakers deny this. The filmmakers do, however, acknowledge the prominent influences of both Shakespeare's play Hamlet and the 1942 Disney animated feature Bambi.
Unlike previous Disney animated films, which featured only a select few famous voice actors alongside lesser-known performers, nearly all of the voice acting work for this film was done by well-known actors, including Matthew Broderick, James Earl Jones, Jeremy Irons, Jonathan Taylor Thomas, Nathan Lane, Ernie Sabella, Robert Guillaume, Moira Kelly, Rowan Atkinson, Whoopi Goldberg, Cheech Marin and Jim Cummings. The Lion King is a musical film, with songs written by composer Elton John and lyricist Tim Rice, and a film score by Hans Zimmer. Many of the John/Rice tunes became Disney standards or pop hits in their own right, and Zimmer's score also drew substantial praise.
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The Lion King, though a very humanistic story, remains the only Disney film to lack any trace of human existence. Robin Hood featured only anthropomorphized animals who lived like humans, while Bambi featured only unseen human characters; whether this makes The Lion King Walt Disney's first "non-human animals-only" film is open to interpretation, but it is one film that is free of "human elements". The film was also the first Disney animated feature to have a non-villain main character die on-screen.
Computer animation was used extensively in the creation of the movie, particularly during the "Circle of Life" and the technologically innovative stampede sequences.
During its production, The Lion King was considered a secondary project to Pocahontas, which was in production at the same time. Many of the Disney Feature Animation staffers preferred to work on Pocahontas, thinking that film would be the more prestigious and successful of the two. However, as the film was being marketed, the studio noticed that the released teaser, which consisted of the entire opening sequence featuring the song, "Circle of Life", was getting a strongly enthusiastic reaction from audiences. Furthermore, when the film was in limited release in two major theatres, the film did very impressive business which suggested that this "secondary project" promised to be popular. Upon general release, the film more than confirmed that suspicion by becoming the most successful film of the year and the most successful animated feature film ever at the time (though with inflation factored in it would be fourth). The film made $328,541,776 in domestic gross income and $783,841,776 worldwide. With hindsight, the film can be seen as marking the peak of the popular success of the late-80s-to-mid-90s "renaissance" of Disney animation.
Elton John and Tim Rice wrote five original songs for this film. John performs "Can You Feel the Love Tonight" during the end credits. However, the major musical praise focused on Hans Zimmer's score which was supplemented with traditional African music and choir elements arranged by Lebo M, which many critics felt played a crucial role in establishing the grand mythic tone of the African story.
Simba's father, King Mufasa, is the lion king. He rules the kingdom with kindness and wisdom. However, Mufasa's younger brother Scar is jealous of his nephew's position as heir and so plots to usurp the throne. Mufasa teaches Simba about the Circle of Life and that everything is connected in a balance. Scar allies himself with some starving hyenas in an attempt to overthrow his brother. Together with his hyenas, he engineers a wildebeest stampede in which Mufasa rescues Simba but he himself is lost in the stampede. However as all hope seems lost, Mufasa makes one last great leap to cling to the rockface. As Mufasa climbs higher, he looks up to see Scar standing on the ledge above him. Mufasa pleads to Scar for help, who just looks down on his brother and then suddenly latches his sharp claws into Mufasa's paws. With an evil grin, Scar throws Mufasa back off the rock uttering "Long live the king.", thus killing Mufasa. Scar manipulates Simba into thinking he is responsible for his father's death and advises him to "run away and never return". As a devastated Simba runs off, Scar orders his hyenas to kill Simba, but Simba escapes from the hyenas without Scar's knowledge.
Exhausted, Simba collapses in the desert. The young cub is saved and befriended by Timon and Pumbaa (a meerkat and warthog respectively), who teach Simba their philosophy of "hakuna matata" (no worries). After growing up with the pair, the adult Simba encounters his childhood friend, a formidable lioness named Nala, who has fled Scar's dictatorial rule to seek help. She urges Simba to return to the Pride Lands and retake his rightful throne, but he refuses, happy with his new "no worries" lifestyle -- and still traumatized by the false belief that he caused his father's death.
After Rafiki the witch doctor mandrill shows Simba that Mufasa's spirit still lives on inside him, and Mufasa appears to him as a ghost and demands of him to look inside himself and understand that he is the only rightful king, Simba decides to go back home.
When he arrives, Simba is incensed to find that his once joyful and prosperous kingdom has crumbled into a barren wasteland under King Scar's rule. With the support of Nala who has rallied the lionesses, Simba confronts his uncle. Scar remains confident and with his hyenas forces Simba to confess to his responsibility for the death of Mufasa. Then Scar backs Simba to the edge of the cliff as lightning ignites the kingdom. Simba slips and hangs onto the rock as Mufasa did years before. Scar recalls Mufasa death and just as the dictator had done to Mufasa, latches into Simba's paws with his claws. Just before Scar kills Simba the same way he killed Mufasa, he whispers the awful truth to Simba: that it was he, Scar, who killed Mufasa. Simba, enraged at the truth of the murder and how he was played a fool in it, leaps upon Scar and forces the tyrant to publicly confess to his crime.
The battle begins, and as the lionesses and hyenas fight, Simba does battle with Scar on the summit. Scar attempts to blame everything on the hyenas (who hear this); Simba shows mercy and tells Scar to run away from the kingdom and never return. Scar remembers those words; they were the exact words that he used to manipulate Simba after Mufasa died. Scar begins to slink off when he throws some burning embers into Simba's face. Simba is surprised at this and Scar attacks once again. There is a climactic battle and Simba is thrown to the edge of the cliff. Scar jumps through the flames to finish Simba off but it is Simba who throws his uncle over the cliff edge and watches as Scar's former hyena allies turn on the dictator. Simba is finally declared king and leads the Pride Lands back into times of prosperity and glory. Simba and Nala have a baby cub that is presented in a triumphant ceremony mirroring the film's beginning.
The plot bears similarities to both Shakespeare's play Hamlet and the 1942 Disney animated feature Bambi. During production, Disney staffers jokingly referred to The Lion King as "Bamblet".
The Lion King was so successful that Disney's television animation arm created a direct-to-video sequel (as it did with numerous other succesful animated films) called The Lion King II: Simba's Pride (1998), focusing on Simba's daughter Kiara. A spin-off television series called Timon and Pumbaa focused on the Meerkat and Warthog duo, and implied that the story took place during the mid Twentieth Century through the appearance of humans, human clothing and technology. A second direct-to-video sequel (or perhaps midquel), The Lion King 1½ (also known as The Lion King 3: Hakuna Matata), was released on February 10, 2004, and takes place on a parallel time line that interweaves with the original Lion King, but from Timon and Pumbaa's perspective.
On October 7, 2003, the original film was released as The Lion King: 2-Disc Special Edition, part of Disney's Platinum Edition line of DVDs. The DVD release featured a remastered version of the film created for the IMAX release. Among the extra features on the disc was an extended version of one scene, where a short conversation has been replaced with a complete song, "The Morning Report", which was originally written for the stage musical (see below). By means of seamless branching, the movie could be viewed either with or without the extra scene.
A boxed set of the three films (in double-disc Special Edition formats) was released on December 6, 2004. The Lion King II: Simba's Pride was re-released in a 2 disc Special Edition on August 31, 2004.
The movie was also adapted into an award-winning Broadway stage musical with the same title, directed by Julie Taymor, featuring actors in animal costumes as well as giant, hollow puppets. The stage show first opened on July 31st, 1997 in Minneapolis at the Orpheum Theatre, and was an instant and tremendous success, moving permanently to the New Amsterdam Theater on Broadway in New York that October. A version later opened in London, and another in Toronto, playing there until January 2004. In June of 2006, the Broadway production will move to the Minskoff Theater to make way for the musical version of Mary Poppins.
There are currently two U.S. touring productions. The tour version is very similar to the original Broadway production; however, certain scenic elements which rise out of the stage floor (such as Pride Rock, the stampede, and the grasslands) were converted to less costly configurations for the touring productions.
International productions of the show are now playing in London, England; Melbourne, Australia; Hamburg, Germany; Tokyo, Japan; and Scheveningen, Netherlands.
The show is produced by Disney Theatrical.
The Lion King was nominated for the following Tony Awards in 1997:
Aside from the John/Rice songs, the incidental music was by Hans Zimmer with additional material arranged by Lebo M. Also, very few of the voice actors in the movie were able to do their own singing, and a majority of the songs were done by vocal doubles. For instance, Jason Weaver sang for Jonathan Taylor-Thomas as the young Simba, and Joseph Williams sang for Matthew Broderick as the adult Simba.
A soundtrack CD was sold separately from the film. In the original United States version, this CD had the following tracks:
In most international releases of the CD, Elton John's versions were removed except for the bottom one, and an additional track, "Hyenas" (instrumental by Hans Zimmer) was included.
More recently, with the making of the Special Edition and its extra song, "The Morning Report", newer CDs include this track:
On 28 February 1995, Disney released an album entitled Rhythm of the Pridelands, which featured songs and performances inspired by, but not featured in, the film. The album -- with many tracks composed by Lebo M -- focused primarily on the African influences of the film's original music, with most songs being sung either partially or entirely in various African languages. Several songs featured on the album would later have incarnations in other Lion King-oriented projects, such as the stage musical or the direct-to-video sequels.
Rhythm of the Pridelands was printed in a very limited quantity, and as such has become something of a collectors item.
The official soundtrack released by Disney contained very little of Hans Zimmer's instrumental score. The tracks included were pieced together from various parts of the film and therefore not entirely representative of the scenes linked to them. It was assumed that the vast amounts of missing score had been lost, but relatively recently a bootleg CD containing all of the missing score has come to light. The quality is not what one would expect from an official Disney CD, as the tracks were recorded at a slower rate than normal, many of the tracks are in monaural and the tracks are not ordered correctly with their appearance in the film, but it has been a relief to many fans that the music had been placed into CD form.
The CD is titled The Lion King Complete Score or Lion King Expanded Score and was first mentioned on Hans-Zimmer.com. The CD itself is difficult to obtain, but it has been sighted on eBay, and downloads of the tracks can be found online.
The Lion King was claimed to be the first animated Disney movie to be based on an original story, although the accuracy of this has become disputed. The Lion King bears a striking resemblance to a famous Japanese animated television show, Kimba the White Lion [2], and claims have been made that The Lion King was inspired by it. Most characters in Kimba have an analogue in The Lion King, and various individual scenes are nearly identical in composition and camera angle. Disney's official stance is that any resemblances are a coincidence, and the directors Roger Allers and Rob Minkoff claim they were well into the development process before someone pointed out the Kimba similarity. The family of Osamu Tezuka, Kimba's creator, have not filed suit against Disney.
There are recurring assertions of a resemblance to Shakespeare's Hamlet. In fact, Christopher Vogler in his book The Writer's Journey, Second Edition: Mythic Structure for Writers (ISBN 0941188701) describes how Disney people approached him with a copy of Hamlet asking how to improve the plot by incorporating ideas from Shakespeare. Relationship between the two plots includes: The brother to the king (Scar to Mufasa; Claudius to King Hamlet) kills the king (this occurs before the play Hamlet begins). The rightful heir does not avenge his father's death (Simba to Hamlet). Later, at the urging of his father's ghost, the prince recalls his duty (although Hamlet vacillates between action and inaction) and ultimately returns from exile to kill his uncle (but Hamlet was not in exile at the time, and Simba does not kill Scar).
Much, much more occurs in Hamlet without any parallel at all in The Lion King. Vogler claims that several further ideas were suggested to Disney but not incorporated into the movie, including possibly a fight of young Simba with some dangerous animal to mark his transition from a child to mature hero. The Hamlet argument appears to have been promoted by Disney personnel after the Kimba controversy started.
In one scene of the movie it appears as if animators had embedded the word "sex" into several frames of animation, which conservative activist Donald Wildmon asserted was a subliminal message intended to promote sexual promiscuity. According to Disney, however, it is supposed to read "SFX" (a common abbreviation of "special effects"), and was a sort of innocent "signature" signed by the effects animation team to the work they did. An examination of the actual frames in question supports this latter claim, as the lower part of the alleged "E" is indeed astray.
The use of the song "The Lion Sleeps Tonight" has led to disputes between Disney and the family of South African Solomon Linda, who composed the song (originally titled "Mbube") in 1939. In July 2004 the family filed suit, seeking $1.6 million in royalties.
It has been said part of a scene was removed from the American version of The Lion King stage musical. When Mufasa dies, the lionesses cry over his dead body: this is enacted using a Japanese bunraku puppet mourning technique in which ribbons flow out of the eyes to symbolize tears. To some, the story goes, this looks like the lionesses were crying toilet paper, causing the audience to laugh at an inappropriate moment. However, although the scene can provoke laughter and confusion, the scene was not actually removed. The story can therefore be dismissed as an urban legend.
The Land Before Time had a few concepts that were apparently borrowed for use in The Lion King. When Littlefoot was crying over his mother an old reptile gave Littlefoot advice, mentioning "The Great Circle of Life." In the last part of the movie Littlefoot's mother's ghost appears to him in cloud form and speaks to him; similar to how Mufasa spoke to Simba.
The video games based on the film arrived on Genesis, Game Gear, SNES, Game Boy, Game Boy Color, Playstation and Game Boy Advance.
The games that were released were:
Both games also received an enthusiastic reception, from players and critics alike. However, the first game released was mainly criticized for being too difficult, even for seasoned gamers.
Simba made an appearance in the PS2 game Kingdom Hearts as a summon character. This was also the case for Kingdom Hearts: Chain of Memories. Simba will make a third appearance in the series in Kingdom Hearts 2, along with many other characters from the The Lion King.