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| King Kong | |
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| Directed by | Peter Jackson |
| Produced by | Peter Jackson Fran Walsh |
| Written by | Merian C. Cooper (story) Edgar Wallace (story) Peter Jackson Fran Walsh Philippa Boyens |
| Starring | Adrien Brody Naomi Watts Jack Black |
| Music by | James Newton Howard |
| Cinematography by | {{{cinematography}}} |
| Editing by | {{{editing}}} |
| Distributed by | Universal Studios |
| Released | December 14, 2005 |
| Running time | 187 minutes |
| Language | English |
| Budget | $207,000,000 |
| Preceded by | {{{preceded_by}}} |
| Followed by | {{{followed_by}}} |
| IMDb profile | |
King Kong (2005) is a fantasy-adventure movie. It is a remake of the original 1933 movie about a giant ape named Kong, which was written by Merian C. Cooper and Edgar Wallace. The film was directed by Peter Jackson, produced by Jackson and Fran Walsh, and written by Jackson, Walsh and Philippa Boyens. The cast includes Naomi Watts in the role of Ann Darrow and Jack Black as Carl Denham. Much of the crew had previously worked on Jackson's Lord of the Rings trilogy, with the exception of the composer James Newton Howard, who replaced Jackson's long-time collaborator Howard Shore due to "differing creative aspirations for the score of King Kong."
Filming was completed in Miramar, New Zealand, and the film was released on December 14, 2005. It was rated at the last minute, in November, as PG-13 (in the US), and a 12A (in the U.K.) for frightening adventure violence and some disturbing images.
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Carl Denham is a documentary filmmaker whose penchant for "safari films" does not go over well with his studio bosses who prefer to see him turn in a romance film for a change. When he discovers that they would rather sell his films off as stock footage than fund his latest movie, Denham steals the film and quickly organises to leave for his next shoot immediately. Still in need of a leading lady, along the way he meets Ann Darrow, an unemployed vaudeville actress whose theater was recently closed down due to lack of money. He convinces Ann to join him in his latest movie endeavour and boards a tramp steamer with her; Jack Driscoll - a hapless playwright who has written part of the screenplay - is tricked by Denham into joining the journey in order to finish the story. The ship leaves just in time for Denham to escape the police, and sets off on a voyage to what Ann and Jack believe to be Singapore.
Along the way, Denham reveals they're actually heading for Skull Island, a place unknown to the outside world that Denham believes will make for some spectacular footage for his production. Although the captain of the steamer voices his concerns about their destination, he sets out to find the island anyway. Meanwhile Ann, a fan of Jack's plays, falls in love with the playwright.
Eventually the ship's captain discovers Denham has an arrest warrant out for him and decides to change course and head to Rangoon for the sake of his crew. However, a thick fog sets in and they find themselves at the island, almost crashing the boat on to massive rocks.
As the steamer's crew try to fix the ship, Denham, Ann, Jack and the film crew go ashore where they are ambushed by a mob of angry natives. Some of the crew are killed, but Denham and the rest of the landing party are saved by the ship's captain. They return to the boat and make preparations to leave, but a native slips on board and kidnaps Ann. She is soon tied up and strapped to a wooden frame that juts across the other side of a massive wall which separates the natives from the rest of the island. The ship's crew arm themselves and attempt a rescue mission, but are too late as Carl watches Ann get taken away by a giant ape.
The crew discover that the ape, named "Kong" by the natives, lives in a massive jungle where prehistoric creatures have been protected and hidden for millions of years. After some discussion, the captain allows Denham and Jack to go look for her, with 15 armed crewmen as bodyguards. As they trek through the jungle, the crew has a number of encounters with the local fauna, escaping from a dinosaur stampede and finding themselves trapped in a ravine with giant insects. A number of the crew are killed, and Jack ends up looking for Ann on his own while Denham, whose camera and film is destroyed in the fall down the ravine, decides to capture Kong and bring him back to New York City.
Meanwhile, Kong brings Ann to his home high up on a cliff. In an attempt to keep Kong from killing her, Ann dances and does tricks, which amuses Kong, but when Ann stops, Kong becomes angry, and after failing to intimidate her, he leaves. Ann takes the opportunity to escape, but is attacked by three huge Vastatosaurus Rex dinosaurs. Kong shows up and defeats the creatures, protecting Ann from being eaten alive. Tired, Kong carries Ann back to his cliff and falls asleep with her in his hand.
Eventually, Jack finds Ann and they escape while Kong is busy defending himself from an attack by a colony of giant bats. Kong catches up to them, but Denham and the surviving crew members are waiting and attempt to capture Kong, but Kong breaks free of the trap. At the last minute, Denham successfully captures Kong by smashing a bottle of chloroform across his face.
Months later in New York City, Ann is an anonymous chorus line dancer, while the lovelorn Jack watches a play he wrote whose lead role was meant for her. Denham puts the shackled and captive Kong on display in front of a large audience on Broadway, insisting that the chains holding him are "made of chromed steel". Intimidated by the attention and frightened by the press flashbulbs, Kong breaks free from his chains, destroys the theatre, and runs amok through the city searching for Ann. After finding her, Kong calms down and takes her to Central Park where he slides around with her on the ice in a brief moment of happiness. Moments later, they are ambushed by the Army, who attack Kong with machine gun fire and artillery rounds. Reminiscent of his cliff-dwelling, Kong escapes to the Empire State Building, which he proceeds to climb, with one hand, holding Ann gently in the other.
Kong and Ann take in the sunrise at the top of the building but soon enough, six Navy biplanes appear and and fire at Kong. Ann wants to stay with him but Kong puts her down, climbing to the top of the skyscraper as the planes attack. Ann tries to climb higher to save him, waving at the biplanes to stop. Above her, Kong manages to destroy three of the planes, but is badly wounded. Eventually Kong succumbs to his injuries and falls to his death.
Jack rushes up to the building to comfort Ann after Kong falls, while Carl Denham arrives at the scene where reporters, police, soldiers, and bystanders crowd around Kong's body. Gazing upon Kong's corpse, he notes that it wasn't the planes that killed Kong, but rather "It was beauty killed the beast".
The 2005 version follows the overall pattern of the original film closely, but changes some details and adds considerably more background and depth to the characters:
The budget climbed from an initial $150,000,000 to a record breaking $207,000,000, making it, by a small margin, the most expensive film ever made in terms of number of actual dollars spent (adjusted for inflation it is the sixth most expensive film ever made, see List of most expensive films (inflation)). Universal Studios only agreed to such an outlay after seeing a screening of the unfinished film, to which executives responded enthusiastically.
The marketing campaign for King Kong started in full swing on 28 June 2005, when the teaser trailer made its debut, first online at the official Volkswagen website at 8:45 pm EST, then 8:55 pm EST across media outlets owned by NBC-Universal, including NBC, Bravo!, CNBC and MSNBC. That trailer appeared in theatres attached to War of the Worlds, which opened on 29 June.
Jackson regularly published a series of 'Production Diaries', which chronicled the making of the film. The diaries started shortly after the DVD release of The Return of the King as a way to give Jackson's The Lord of the Rings fans a glimpse of his next project. These diaries are edited into broadband-friendly installments of three or four minutes each. They consist of features that would normally be seen in a making-of documentary: a tour of the set, a roving camera introducing key players behind the scene, a peek inside the sound booth during last-minute dubbing, or Andy Serkis doing his ape movements in a motion capture studio.
The production diaries were released on DVD on December 13, one day before the U.S. release of the film.
In a unique co-promotion, New York State held a special King Kong lottery game in which tickets were sold for a one time drawing to be held on December 5, 2005 offered a grand prize of $50 million and several second prizes of $1 million.
Sporting the 36th widest opening weekend release of all time, Kong had the 21st best Wednesday opening ever with 9.7 million USD and an opening weekend gross of 50.15 million USD. While the opening day gross was well below expectations with Universal previously setting a benchmark close to Jackson's Fellowship of the Ring 18 million USD opening, the film did outgross Fellowship's 47.2 million USD (unadjusted) weekend take.
This start has been considered unremarkable by Hollywood blockbuster standards. However, Jackson and Universal believe that King Kong will be successful in the long run as a "slow burner", attracting moviegoers through word of mouth and staying in theatres and drawing audiences longer than a typical theatrically released film.
As of 26 December 2005 the film has grossed 120.6 million USD in the United States and 153.6 million USD internationally.
The BBC and Hollywood Reporter disclosed in late November that a 3D version of the film was proceeding on a test basis, with a spring or summer release planned. This has been officially disclaimed by Universal Studios, however, it is a fact that both Shrek and Terminator 2 had short 3D versions made for the Studio as theme park attractions. With 7 animation features coming out in 2006 in 3D, it is somewhat likely that a 3D version might be created. The film is more than 90% CGI mastered, so converting the scene to 3D is largely a software excercise, with some creative work required for the closer shots of actors. All the face shots of Kong can be 3D-ized from the original animation files. It is estimated that the conversion will cost about 10 million dollars, due to the great length of the movie. (3 hours 7 minutes)
Apart from Kong, Skull Island is also inhabited by dinosaurs and other large fauna. However, though they may look similar, they are not the familiar species. Inspired by the works of Dougal Dixon, the designers have imagined what 65 million years of evolution would have done to the dinosaurs. The names are taken from those given to them on the official website.
King Kong received a mostly positive critical response, garnering an 83% rating on Rotten Tomatoes [1], with the most common criticism being that it is too long. Popular film critic James Berardinelli gave it three and a half stars out of four, for example, because of what he viewed as excessive length, while otherwise praising the film [2]. Influential critic Roger Ebert gave it his full four stars, saying, "Yes, the movie is a tad too long, and we could do without a few of the monsters and overturned elevated trains. But it is so well done that we are complaining, really, only about too much of a good thing. This is one of the great modern epics" [3].
The New York Post hailed King Kong as "the year's best movie" [4], the New York Times admitted that the movie was "gargantuan, mightily entertaining" [5] , while the Rolling Stone styled it "the jaw-dropping, eye-popping, heart-stopping movie epic we've been waiting for all year" [6]. Similarly, King Kong is now ranked #223 on the IMDb top 250 list, and included in many critics' Top Ten of 2005 lists.
However, Chris Barsanti of TOXICUNIVERSE.COM had this to say: "By stretching everything out to Epic length, Jackson has taken on well more than his source material -- reproduced with fervent love -- can support." Many critics agreed with this. Sean Burns of the PHILADELPHIA WEEKLY said "It wasn't beauty killed the beast... it was bloat." [7]
Kevin Carr, 7M PICTURES had this to say: "Peter Jackson may have lost weight, but he hasn't lost his gluttony. There is no excuse for the 3 hour and 7 minute running time of King Kong. Hollywood needs an enema, and Peter Jackson needs an editor." [8] Carol Cling, LAS VEGAS REVIEW-JOURNAL said "Kong's eye-popping array of cinematic tricks reflects the filmmaking philosophy of a director for whom anything worth doing is worth overdoing, then doing to death." [9] The film is viewed by many as a pretentious attempt to revive a cinematic classic that, first and foremost, did not need to be remade.
The original King Kong featured several inconsistencies and unanswered questions. Perhaps deliberately, the 2005 remake makes no attempt at dealing with them.