Knitting
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Wikipedia-Article "Knitting"
Knitting is one of several ways to turn thread or yarn into cloth (compare to weaving, crochet). Unlike woven fabric, knitted fabric consists entirely of horizontal parallel courses of yarn. The courses are joined to each other by interlocking loops in which a short loop of one course of yarn is wrapped over the bight of another course. Knitting can be done either by hand, described below, or by knitting machine. In practice, hand knitting is usually begun (or "cast on") by forming a base series of twisted loops of yarn on a knitting needle. A second knitting needle is then used to reach through each loop (or stitch) in succession in order to snag a bight of yarn and pull a length back through the loop. This forms a new stitch. Work can proceed in the round (circular knitting) or by going back and forth in rows. Knitting can also be done by machines, which use a different mechanical system to produce nearly identical results.
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History and culture
- Main article: History of knitting
The earliest definite examples of knitting date from Europe and Egypt in the 14th century, although some claim that the technology dates back into centuries BC. The first knitting trade guild was started in Paris in 1527, establishing the occupation as male-dominated for centuries to come. Knitting became a household occupation with the growing popularity of knitted stockings and by the end of the 1600s, one to two million pairs of stockings were exported from Britain to other parts of Europe.
With the invention of the knitting machine, knitting "by hand" became a useful but nonessential craft, and its practitioners increasingly female. Knitting joined quilting, spinning, needlepoint, and the like as a social activity, performed while the crafters converse among themselves.
Hand-knitting has gone in and out of fashion many times in the last two centuries or so, and at the turn of the 21st century it is enjoying a revival. Modern knitters come from all ages, walks of life, and (increasingly) genders---a social stigma against male knitters has been rapidly disappearing, and most knitting circles now sport at least a few men.
Properties of knit fabrics
The topology of a knit fabric is relatively complex. Unlike woven fabrics, where strands usually run straight horizontally and vertically, yarn that has been knit follows a loopy path along its row, as with the red strand in this diagram:
The loops of one row have all been lifted through the loops of the row below it.
Because there is no single straight line of yarn anywhere in the pattern, a knit piece will be stretchy in all directions (some more than others, depending on the specific yarn and the specific pattern). This stretchiness, unavailable from woven fabrics (which only stretch along the bias), is what originally made knitting so suitable for stockings. Many modern stretchy garments, even as they rely on elastic synthetic materials for some stretch, also achieve some of their stretch through knit patterns.
The basic knit fabric (as in the diagram, and usually called a stocking or stockinette pattern) has a definite right side and wrong side. On the right side, the visible portions of the loops are the verticals connecting two rows, arranged in a grid of V shapes. On the wrong side, it is the ends of the loops that are visible, both the tops and the bottoms, creating a much more bumpy texture sometimes called reverse stockinette (which, despite being the "wrong side", is frequently used as a pattern in its own right). Because the yarn holding rows together is all on the front, and the yarn holding side-by-side stitches together is all on the back, stockinette fabric has a strong tendency to curl toward the front on the top and bottom, and toward the back on the left and right side.
But the stitches can actually be worked from either side, and many patterns are created by mixing regular knit stitches with the "wrong side" stitches, known as purl stitches, either in columns (ribbing), rows (garter or welting), or more complex patterns. Each such fabric has different properties: a garter stitch has much more vertical stretch, while ribbing stretches much more horizontally. They also curl considerably less, and for this reason they are popular as edging even when their stretch properties are not desired.
Different combinations of knit and purl stitches, along with more advanced techniques, generate fabrics of considerably variable consistency, from gauzy to very dense, from highly stretchy to relatively stiff, from flat to tightly curled, and so on.
Process
A piece of knitting begins with the process of casting on (also known as "binding on"), which involves the initial creation of the stitches on the needle. Different methods of cast on are used for different effects; one may be stretchy enough for lace, while another provides a decorative edging. Provisional cast ons are used when the knitting will continue in both directions from the cast on.
The body of a knitted piece may include plain stitches or a number of colour and textured patterns. It is sometimes claimed that there are as many methods of knitting as there are knitters, but most Western-style knitters follow either the English style or the Continental style. The number of active stitches remains the same as when cast on unless stitches are added (an increase) or removed (a decrease) to shape the item.
Once the knitted piece is finished, the remaining live stitches are cast off. Casting (or binding) off loops the stitches across each other so they can be removed from the needle without unravelling the item. Although the mechanics are different from casting on, there are a similar variety of methods and choices to be made.
Typically, the final knitted garment will be made of several knitted pieces, with individual sections of the garment knit separately and then sewn together once all the pieces have been completed. Seamless knitting, where a whole garment is knit as a single piece is also possible. Smaller items, such as socks and hats are usually knit in one piece on double pointed needles or circular needles.
Texture
The canonical default texture for a knit garment is that generated by the flat stockinette stitch—as seen, though very small, in machine-made stockings and t-shirts—which is worked in the round as nothing but knit stitches, and worked flat as alternating rows of knit and purl. Other simple textures can be made with nothing but knit and purl stitches, including garter stitch, ribbing, and moss and seed stitches. Adding a "slip stitch" (just moving a loop from one needle to the other, without working it) allows for a wide range of textures, including heel and linen stitches, and a number of more complicated patterns.
Some more advanced knitting techniques create a surprising variety of complex textures. Combining "yarn-over" increases (which create small eyelet holes in the resulting fabric) with assorted decreases (e.g. by knitting two stitches together) can make a very open fabric resembling lace. Changing the order of stitches from one row to the next, usually with the help of a cable needle or stitch holder, is the trick underlying cables, honeycombs, ropes, and other Aran sweater patterning. Entrelac forms a rich checkerboard texture by knitting small squares, picking up their side edges, and knitting more squares to continue the piece.
Colour
Plenty of finished knitting projects never use more than a single colour of yarn, but there are many ways to work in multiple colours. Some yarns are dyed to be either variegated (changing colour every few stitches) or self-striping (changing every few rows). When knitting with yarns whose colours change, it is best to alternate between two different skeins of yarn, usually alternating every other row. This will allow the garment to have a random colour variation. It is also important when using any yarn that the dye lot numbers be the same, as the colours can vary, even if does not look like it. Even with solid-colour yarn, horizontal stripes are easily accomplished by changing yarn at the end of a row. More complicated techniques permit large fields of colour (e.g. intarsia), busy small-scale patterns of colour (e.g. Fair Isle), or both (e.g. double knitting and slip-stitch colour).
Style
There are many regional styles of knitted garments with long histories, such as guernsey sweaters, jerseys, and the already-mentioned aran sweaters and Fair Isle patterning. These are discussed in the history of knitting.
Materials
The classic knitting material is worsted-weight yarn spun from the wool of a sheep, though goat's wool (mohair if it comes from an Angora goat), rabbit hair (angora if it comes from an Angora rabbit), and alpaca fur are also well-known. Natural fibres such as these have the advantage of being slightly elastic and very breathable, while trapping a great deal of air, making for a fairly warm fabric. One may also find yarns containing cashmere, made from the hair of the cashmere goat. Cashmere being one of the most expensive fibers, it is mostly blended with other fibers, such as baby alpaca or merino wool, merino being the softest breed of sheep, with the finest fibers.
Other natural fibers that can be used for yarn include silk, or vegetal fibers such as linen and cotton. These tend to be much less elastic than the animal-hair yarns, though they can be stronger in some cases. Given the cost of silk, it is often blended with other fibers, such as rayon, cotton and wool. Pure linen makes a poor knitting fiber, having no elasticity; it is often blended with cotton, wool or acrylic. Cotton can be mercerised to increase its elasticity and its resistance to pilling. In any case, the finished product will be rather different from those made with woolen yarns.
A number of synthetic materials are also commonly made into yarn, chiefly acrylic. Acrylic yarn for a long time completely dominated the knitting market, and is still frequently the only available option at craft stores and other stores that do not specialise in knitting supplies. However, there is currently a large community of knitters that prefer the feel of natural fibers, both during the knitting process and in the final product. 100% acrylic yarns are available, as are wool-acrylic blends in various proportions. Some other synthetics are available as well; yarn designed for use in socks frequently contains a small percentage of nylon for durability, and numerous specialty yarns exist.
A relatively recent trend in knitting yarn is the novelty yarn. Novelty yarns have been on the market for a long time, but have enjoyed a revival as many new knitters learn to knit, and expect fun and dazzling materials to knit with. There has been a dramatic increase in the amount and in the different forms in which novelty yarns can be found. Typically, novelty yarns arise from innovations in the spinning process. What could define a novelty yarn as opposed to "regular" yarn is the exaggeration in one or many of a regular fiber's characteristics; for example, some yarns are a bit fuzzy or hairy, but a novelty yarn might take that to an extreme, with yarns that have long hairs or metallic fuzz. Novelty yarns now come in all shapes and textures. There are yarns that are entirely metallic.
One variety of novelty yarn is called boucle, textured or flammé. Yarns of this type involve at least one or two strands of regular yarn twisted together with something else to make an interesting texture. To make boucle, the tension on one strand, as it is being spun, must be different than on the other. The extra element can be a metallic thread, or a much-thicker or much-narrower strand of yarn, or yarn that varies between thick and thin. Some companies have come to put twin yarns on the market to show off combinations of one regular yarn and a novelty yarns in assorted colours or even two different types of novelty yarns.
Another type of novelty yarn is eyelash yarn. In general, eyelash yarns will be hairy and have the general aspect of faux fur once knitted up in a garment. The texture and composition of such yarns have been explored by many companies, and there are innumerable types of eyelash yarns. The most prominent types would probably be 100% polyester with a straight and relatively short hair. The hair can be curly. The core and hair of the thread can be metallic, and the hairs can sometimes be two different lengths. Some of the drawbacks of eyelash yarns is that they tend to have poor stitch definition, and that they are not flattering to curvy figures, so they are mostly used for accessories such as scarves.
Another type of novelty yarn is ribbon yarn. They are not the kind of ribbons used in sewing and millinery. They are ribbon yarns made for knitting. Ribbon yarns must have give and elasticity.
Very often, novelty yarns will involve a lot of colour change. Most often these will be obtained through the print process, in which a fiber will have different colours through a dyeing process. Sometimes the colour will come through the sequence in which different colours are spun together. In some yarns the same process is used, but at the same time the color repeats are long enough to enable a self-striping feature. If the proper number of stitches is cast, then stripes will appear as the yarn is knitted into a garment. Sock yarn companies have evidently taken a great interest in self striping yarn. Such yarns have a wide array of different effects that can be obtained by knitting the yarn in the round over the number of stitches normally cast for a sock.
Some novelty yarns are even more extravagant and can be hard to describe. Katia's Rumba Mix is a ribbon that has changes in fiber within the same length involving changes of texture and changes of color. Louisa Harding's Sari Ribbon is a very wide multicolored synthetic ribbon with a streak of glittering fiber woven in its middle. Filati Bertagna's Aymara is a very fine alpaca-wool blend that is knitted in the round over a couple stitches to make up a bigger thread.
Ultimately, there is no restriction as to what materials can be used to knit; anything that can be viewed as a long strand of something can be used as a sort of knitting yarn. Creative knitters have successfully used ribbon, plastic strips, wire, crepe paper, string threaded with beads, and rope to fashion bags, bowls, jewelry, household items, and works of art.
See also
- History of knitting
- Embroidery
- Crochet
- Spinning (textiles)
- Textile manufacturing
- Tatting
- Weaving
- Macrame
References
- Zimmermann, Elizabeth. (1972). Knitting Without Tears. Simon and Schuster, New York. (Reprint Edition ISBN 0-68-413505-1)
- Thomas, Mary. (1938). Mary Thomas's Knitting Book. Dover Publications. New York. (1972 Reprint Edition ISBN 0-486-22817-7)
- Rutt, Richard (2003). A history of handknitting. Interweave Press, Loveland, CO. (Reprint Edition ISBN 1-931-49937-3)
- Hiatt, June Hemmons. (1988). The principles of knitting: Methods and techniques of hand knitting. Simon and Schuster, New York.
- Stoller, Debbie. (2004) Stitch 'n Bitch: The Knitter's Handbook. Workman Publishing Company
External links
- Learn to Knit: with video instructions
- Learn to Knit and Crochet: Basic instructions with clear illustrations
- Knitting Meetups: Meet other knitters in your area
- Men Who Knit: Resources for Male Knitters
- Open Directory Knitting page: a list of knitting-related web sites
- Stitch 'n' Bitch Groups Worldwide: listing of knitters' groups